![]() ![]() The New Jersey farm is actually owned and operated by the Jansen family, who started growing tulips in Holland a century ago. These tulips are closer to the Dutch tulips than you might think. The farm is open seven days a week, rain or shine, but be aware that the flowers only bloom for two-three weeks, so you’ll need to secure your tickets soon! Entry price is $15 per person. ![]() It was made possible thanks to a partnership between the Centre Iannis Xenakis and the European University of Cyprus, with funding from the Interfaces Project.A post shared by Holland Ridge Farms □□ also a new “wishing well” where you can donate to Soldier On. The first version, released in 2018, runs on OSX and iOS. ![]() For its part, HighC is currently used as a pedagogical tool in classes ranging from early teens to Master classes in composition, while some contemporary composers, such as George Hatzimichelakis have made it part of their toolset.Īnother pedagogical tool, UPISketch, was inspired by the UPIC. IanniX, which has been sponsored by the French Ministry of Culture, is a graphical open-source sequencer which syncs via Open Sound Control events and curves to a real-time environment (like Pure Data, SuperCollider, Csound, MaxMSP and openFrameworks among others). There were a couple of attempts to reproduce the UPIC system using commodity hardware, for instance Iannix, HighC, UPISketch. In 2005, Mode Records of New York released a 2-CD compilation of works composed with the UPIC at CCMIX, entitled Xenakis, UPIC, Continuum, which provides an overview of the machine's sonic possibilities. The UPIC system has subsequently been expanded to allow for digitally sampled waveforms as source material, rather than purely synthesised tones. ![]() The system allows for real time performance by moving the stylus across the tablet. They can also be transposed, reversed, inverted, and subject to a number of algorithmic transformations. The compositions can be stretched in duration from a few seconds to an hour. Once the waveforms have been stored, the user can compose with them by drawing "compositions" on the tablet, with the X-axis representing time, and the Y-axis representing pitch. Its functionality is similar to that of the later Fairlight CMI, in that the user draws waveforms and volume envelopes on the tablet, which are rendered by the computer. Aphex Twin implies that he uses UPIC in an interview where he is asked what software he uses and he replies that, "UPIC by Xenakis puts almost everything else to shame it's under 1mb".Physically, the UPIC is a digitising tablet linked to a computer, which has a vector display. It has also been used by composers such as Julio Estrada, (Eua´on (1980)), Jean-Claude Risset (on Saxatile (1992)), François-Bernard Mâche (Hypérion (1981), Nocturne (1981), Tithon (1989), Moires (1994), Canopée (2003)), Takehito Shimazu (Illusions in Desolate Fields (1994)), Gérard Pape (Le Fleuve du Désir III (1994)), and Curtis Roads (Purity (1994) and Sonal Atoms (1998)). Xenakis used it on his subsequent piece Mycènes Alpha (1978) and two other works. It was developed at the Centre d'Etudes de Mathématique et Automatique Musicales (CEMAMu) in Paris, and was completed in 1977. UPIC UPIC (Unité Polyagogique Informatique CEMAMu) is a computerised musical composition tool, devised by the composer Iannis Xenakis. Universal Promotional Identification Code Unité Polyagogique Informatique de la CeMaMu. University Professional Internship and Co Universal Portable Interactive Communication ![]()
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